Filter by Category
Evening Classes
ZOOM: Intro to Science Illustration
with Trenton Jung
Combine your love of art and science with the practice of scientific illustration in this engaging Zoom/Online class taught by Trenton Jung. You’ll be introduced to essential techniques such as observational drawing, nature journaling, and accurate measurement. Through guided exercises and supportive instruction, you’ll learn how to translate real-world subjects into clear and compelling visual forms. This class is perfect for anyone curious about exploring the intersection of creativity and scientific discovery.
Materials not provided. Please bring the following:
Drawing Pencils (2B, 6B, Ebony Pencil)
Pencil Sharpener
White Click Eraser
Bristol Paper
Smooth Vellum
Sketchbook for note-taking
Natural history specimens, bones, shells, leaves, seed pods, flowers, preserved insects, etc. These can be ordered from Bic Bugs or Amazon.
Optional: Magnifying Glass, Watercolor set, Watercolor paper, (hot or cold press 100% Cotton), Toned drawing paper, Ruler
Open Print Lab (11/5)
with Walter F. Allen-Henderson
Open Print Lab is designed to be a creative exploration space! Open Print Lab is where our intergenerational printmakers, with an established practice, meet with others, share work, tips, and life's journeys! Enjoy access to 3 manual roll-top etching/relief presses for your self-directed projects! This studio session is not a regular instructional class, so we recommend beginners start with one of our various printmaking classes.
Folks are welcome to bring in anything that they wish, just so long as it goes back home with you! A Studio Monitor is available to answer questions and orient you on materials. Some materials are available at cost, so bring cash for additional supplies.
Collage as Political & Cultural Commentary
with Julie Ragland
Ages: 16 - 19
In this class, students will approach collage as political & cultural commentary, exploring how collage can transform source media and materials to have different visual impact and narrative meaning. Students will go through the process of thoughtfully sourcing materials, composing a series of collages, then exploring and discussing how the use of source material both guides and impacts the message of the final pieces. We will look at examples of collage artists that use collage to make political and cultural commentary and examine how they use source material to build their narratives. Depending on the format & length of the class, I may also bring in guest artists/could split series with others who work in collage in this manner.
Materials not provided. Please bring the following supplies:
Scissors
Exacto knife
Glue sticks (3-4)
Any magazines or periodicals you might like to work with
Open Print Lab (11/12)
with Walter F. Allen-Henderson
Open Print Lab is designed to be a creative exploration space! Open Print Lab is where our intergenerational printmakers, with an established practice, meet with others, share work, tips, and life's journeys! Enjoy access to 3 manual roll-top etching/relief presses for your self-directed projects! This studio session is not a regular instructional class, so we recommend beginners start with one of our various printmaking classes.
Folks are welcome to bring in anything that they wish, just so long as it goes back home with you! A Studio Monitor is available to answer questions and orient you on materials. Some materials are available at cost, so bring cash for additional supplies.
Beyond 27 Seconds: Cutting Edge Collage
with Ryan Hill
Welcome to “Beyond 27 Seconds, the How, What, and Why of Looking at Art”. our NEW and FREE monthly Community Forum where we look at, talk about, and create art! Do you know that the average time a person views an art piece is a mere 27 seconds? In that time one may decide “I like it” ,“I don’t get it” “It’s good.” or maybe “My 6-year-old could do that.” But what does one really comprehend in such a short amount of time? In this fun and lively forum, we will learn how to better engage with, enjoy more deeply, and truly appreciate art – and the artist! Each session, we will focus on such topics as: process, genre, medium, or group of artists, movement, or time period, with the goal of understanding how and why artists create and how we can view art in new ways to better interpret, connect with, and appreciate what we see! Each month one of our teaching artists will share curated works of art to lead the forum, with the first hour exploring concepts like “What makes a piece of art effective?” “Do I need to know “what” I am looking at to appreciate it?” “How did they do that?” Once inspired, we will create a simple, yet exciting art piece relating to the topic of the month. Join us each month, August through November at The Drawing Studio. In December, we will have a field trip to a local museum to view real art “in the wild” and practice our new skills of seeing and engaging!
Open Print Lab (11/19)
with Walter F. Allen-Henderson
Open Print Lab is designed to be a creative exploration space! Open Print Lab is where our intergenerational printmakers, with an established practice, meet with others, share work, tips, and life's journeys! Enjoy access to 3 manual roll-top etching/relief presses for your self-directed projects! This studio session is not a regular instructional class, so we recommend beginners start with one of our various printmaking classes.
Folks are welcome to bring in anything that they wish, just so long as it goes back home with you! A Studio Monitor is available to answer questions and orient you on materials. Some materials are available at cost, so bring cash for additional supplies.
Try It! Eyeshadow and Pastel on Canvas: Fine Art Techniques Using Eyeshadow
with Machio Caraballo
Old eyeshadow and old makeup, new purpose. This is a course for adults who love color and aren't afraid to break the rules of what art materials are "supposed" to be. You'll transform forgotten palettes into vibrant, textured canvas paintings — and give new life to something you already own. (We will use pastels for the colors you may not have and base sketch).
Materials provided by The Drawing Studio. Please bring any old eyeshadow or makeup that you want to use for your project.
Lost and Found: The Art of Assemblage
with Gary Nusinow
Assemblage is a three-dimensional art form initiated by artists of the early Twentieth Century. In this course, we will use an assortment of materials including found objects to create small-scale three-dimensional works of art. We will focus on the creative process, while we explore the elements of visual art such as composition, scale, proportion, color, hierarchy, and balance. A primary goal is to build confidence in one’s art practice. This is a great opportunity to make creative use of the various and sundry objects you have collected over time. Scavengers absolutely welcome.
Materials not provided. Please bring the following:
Found objects
paint
paper
odds and ends
substrate