Assemblage is a three-dimensional art form initiated by artists of the early Twentieth Century. In this course, we will use an assortment of art materials including found objects to create small-scale 3D art pieces. The focus will be on using the creative process to explore individual issues of anxiety, self-doubt, and artist's block. The goal is to build confidence in one's art practice. 

Please bring any small materials found that you want to use to create. Otherwise, materials are provided by The Drawing Studio. 

Although this class will build on the concepts introduced in August in Beginning Oil painting where we focused on our brushwork to build form and value, it is not a prerequisite to take this session; however, you should already have started with your oil painting. Now confident in our control of the medium, and gaining a rudimentary brushwork style, I will show you how to build layers over an underpainting adding complexity.

As Intermediate students, you are free to choose the size and type of your support. Freedom to work with size and shape allows exploration. This is a critical part of defining your style. We will discuss some options and how this is part of yforour development.

Subjects our work can be but are not limited to: a still life, photo reference (get 2-3 enlargements at Office Max) of a landscape or even copying an old master painting. The most important thing is that you are excited about it and can discuss why. More specifics on the first day.

Materials not provided. Please bring the following:

4 11 x 14 gesso boards or stretched canvas of similar size.

Student grade set of oil paints, any brand.

Set of natural bristle brushes ¼ inch, ½ inch, 1 inch approximately.

Palette knife for mixing paint.

odorless mineral spirits.

palette – can be a piece of plywood or disposable paper ones.

5 or more lint free cotton rags.

Soup cans for cleaning brushes

My class isn’t designed around having everyone paint the same subject. Each student is in a different place creatively, so I work with them individually, meeting them where they are in the moment. In the final 30 minutes of class, we come together to share our work and practice offering thoughtful, constructive critiques. The focus is always on positive, meaningful feedback. As a result, students become more confident and relaxed about their work. They learn to articulate their intentions clearly and develop a stronger sense of when a painting feels complete.

Materials not provided. Please bring the following:

acrylic paints

paper towels

canvases and/or watercolor paper

Get ready for a new Pocket Sketching® class with world-renowned painting and sketching artist Kath Macaulay, inspired by her PBS feature.This is the perfect technique for travel journaling, hiking, biking, sauntering, sitting in a café or the airport. Capture what you think you see in 25 minutes or less using a water soluble pen, a 4 x 6 inch pad of paper and a small paint set. Ideal for the timid beginner to paint fearlessly in public, and the advanced artist who wants minimal equipment. Whether you're new to sketching or returning to your practice, this is a beautiful way to build a creative habit that travels with you. See you in the Studio for this series!

Pocket Sketching® Founder Kath Macaulay Learn more about Kath here and preview Kath’s work here: https://www.pbs.org/show/pocket-sketching/ Workshop includes several of the watercolor techniques of John Singer Sargent.

A curated art kit will be provided to all participants of this event series. No additional supplies are necessary. 

Acrylic Painting Studio has been a staple for several years. Painters explore independent goals, or work from studio still life, or create acrylic painted transcriptions of past artworks from reproductions and collected images. Explore color mixing, value painting, composition and intentions through the use of this water-based medium on paintable paper or canvas. Lively group discussion of works in progress, foster fun and support. Learning to SEE like an artist comes with the territory.

Snacks welcome!

Materials are not included; please bring your choice of the following supply list:

Acrylic Paints: Liquitex Basics recommended for economy. Phthalo blue, naphthol red, medium hue, hansa or AZO yellow, white gesso, and mars black.

Brushes: Acrylic vinyl brushes, medium and small, 2" gesso brush.

- Some chalk pastels are helpful.

- Strathmore Mixed Media Paper, 18" x 24" or other paintable paper

- Pencil, eraser, apron, palette. Cynthia suggests white styrofoam plates ad Viva signature paper towels.

Assemblage is a three-dimensional art form initiated by artists of the early Twentieth Century. In this course, we will use an assortment of materials including found objects to create small-scale three-dimensional works of art. We will focus on the creative process, while we explore the elements of visual art such as composition, scale, proportion, color, hierarchy, and balance. A primary goal is to build confidence in one’s art practice. This is a great opportunity to make creative use of the various and sundry objects you have collected over time. Scavengers absolutely welcome.

Materials not provided. Please bring the following:

Found objects

paint

paper

odds and ends

substrate

Create a black and white print using both wood and linoleum blocks, through a whirlwind of printmaking techniques. Become familiar with two of the most common color printing techniques used in relief printmaking; 1) reduction, and 2) multiblock using linoleum. Class covers some art history in order to consider exemplary uses of block printing skills. 

Most of class time is focused on creating, both collaboratively and independently, in a supportive studio environment. Instruction is bespoke to your personal skill level (beginner- advanced), as well as your own interests and curiosity surrounding printmaking. 

Materials provided by The Drawing Studio for the first session. At your first class, your instructor will indicate what supplies you will need for your particular project. 

No class on 10/12

This class will focus on how to create relief prints and then add color by using watercolor. This class is for beginners to advanced. Please bring in sketchbooks and drawings, and other ideas you may want to print. There will be demos on the printing method and also on watercolors. There will also be an Art History component; Artists such as : Georgio Morandi, Rembrandt, Durer, Mary Azarian and others will be touched on. We will have critiques too.

Materials not provided. Please bring the following:

Semi-moist watercolors (can include black)

Brushes

Watercolor paper (cold press) smooth  9 x 12 (30)

sketch book with ideas and/or imageslinoleum block carving tools

EZ cut blocks (4 x 6, 5 x 7, 9 x 12 )