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Our Classes
Drawing Fundamentals II (Nov., Sun.)
with Ryan Hill
In Drawing Fundamentals II, you will explore natural and human-made subjects in greater depth, emphasizing composition and mark-making. Understanding and mastering foundational skills will inspire you to see and respond to the world around you with intensified interest and curiosity.
Please note: Drawing Fundamentals I or permission from the instructor required upon registration.
Materials are not included; please bring the following supply list:
Drawing Paper Pad approx. 16x20 or 18x24
Sketch Pad approx. 9x12 *Single sheet of toned paper, mid-tone neutral (alternate: large pad of toned paper)
Graphite: HB, 2B, 4B
Charcoal: vine, compressed, white “charcoal” (Conte OK),
Erasers: kneaded, art gum (optional: plastic eraser in “pen” form, ie: Factis), Chamois cloth (optional) *or instructor provides and is reimbursed by student
Long Pose Figure Drawing Studio (11/8)
with Patrick O'Dell
Sunday afternoon live figure drawing with one (long) pose. Each one-day session is for independent study, with no instruction, for ages 18+. You are welcome to paint or draw using whichever medium you prefer. Bring your own supplies. There are easels, chairs, horses and stools available for you to borrow.
Please arrive to Figure Drawing Studio 10-15 minutes early to get set up. Doors close promptly at 1 PM. If you arrive after the doors close, please wait until the first break when the doors open again.
Figure Drawing Studio (11/9)
with Peggy Sanders
Each stand-alone session is for independent study, with no instruction, for ages 18+. Bring your own supplies. There are easels, chairs, horses and stools available for you to borrow.
Please arrive to Figure Drawing Studio 10-15 minutes early to get set up. Doors close promptly at 9 AM. If you arrive after the doors close, please wait until the first break when the doors open again.
The last Monday of every month features a clothed model.
12"x12": Four Paintings in Four Weeks
with Gary Nusinow
Leave your assumptions about painting on a small scale at the studio door. In this series we'll emphasize improvisation and spontaneity. In every session we'll complete one 12” x 12” painting using a wide range of subject matter and techniques. We might paint a still life one week and a pure abstraction another week. This four-week course will build confidence in your painting skills and set your art-making process free.
Materials not provided. Please bring the following:
acrylic paint
canvases - 12x12
brushes
sketch book
drawing pencils
pastel pencils
vine charcoal
Colored Pencil II
with Amber Pierson
Now you know how to use the colored pencil, we will discuss and complete activities with different surfaces, such as black paper and drafting film.
Supplies not included. Please bring the following:
Colored pencils any brand listed below:
48pack Prismacolor Premier (Cheapest and easiest to begin with)
Faber-Castell-Polychromos Caran D’Ache (most expensive)
Eraser
Pencil Sharpener
Drafting Brush Removable Clear Tape
Papers will be discussed in class
Cityscapes in Soft Pastel
with Laura Milkins
This class will focus on form and depth. In this class you will learn different techniques and approaches for creating simple cityscapes. Pastel is a wonderful medium for quickly adding color to buildings and capturing the scene. Step-by-step I’ll walk you through pastel techniques and approaches. The goal is to create a believable urban space. We’ll cover the basics of working with pastels, layering to create depth, and a bit of art history. Day 1 will be more technical, with art history and techniques: We’ll start by looking at inspiring images from art history that explore the techniques. Then I’ll demonstrate the process and then you’ll try them out. Day 2-4 will be work days, with the whole time for applying the techniques and feedback on your projects. This class is great for beginners/intermediate, but I'll work with more advanced students to help you hone your skills.
Materials not provided. Please bring the follow:
Pastel Paper: Assorted SENNELIER : PASTEL CARD (11"x14") or equivalent brand. If you have a favorite paper, feel free to use it. Link to article on pastel paper: https://finearttutorials.com/guide/best-pastel-paper/
Colors: We will use soft pastels for these classes. It's absolutely fine if you choose to use what you already have instead of buying a new set. In either case, you may want to buy more individual colors as you go along. Set of 24 soft pastels (Sennelier, Schminke, Art Spectrum, Holbein, Sennelier, Great American or the Dick Blick)
Detail Work: Pastel Pencils (Faber Castel Pitt Pastel pencils, Carbothello has a set of 12, Conte soft pastel pencils are also great also.) -OR- Hard/semihard pastels can also be used for finishing strokes and detail work. I recommend you purchase a small set of 24 or 36. Set of 24 hard pastels (Nupastel, CretaColor, Derwent, Holbein, Sargent or Sennelier)
Optional Materials:
Painters tape or artist tape (similar to masking tape, but with less tack)
Fixative or reworkable fixative (to set the pastels when done)
*Wet wipes
*Blending stumps or tortillons
*Small hand towel (old) or chamois cloth
*2b pencil and sketchbook
Drawing Fundamentals III: Plein Aire Sharpie
with Russell Kahn
No Class On 11/25
This DF3 Sharpie drawing class will focus to capture a still life and en plein air using sharpies with thick and thin lines. We will start by using cross hatching and hatching for shading and learning the value scale, as well as composition and texture. We will be working from still lives as well as the outdoors (if the weather cooperates). Prior knowledge of drawing will help (Line, value, texture, composition) but check with the instructor if you're not sure. There will be an Art History component added to the class.
Supplies are not included. Please bring the following materials:
- Make sure you have a variety of black sharpie thickness, chisel tip, fine, very fine
- sketch book (approx. 5 x 7 or 9 x 12)
-thick drawing paper (smooth) 12 x 18 or larger (10)
Book Building: Accordion Books
with Julia Jai Miller
No Class On 11/26
Materials not provided. Please bring the following supplies:
- #1 darning needle or needle with large eye and dull point (required)
- 1 curved needle can be very helpful
-1 cutting mat or other cutting surface, minimum 8.5x12 inches (required)
-1 bookbinding awl or other sharp tool to push through paper and board (required)
-1 bonefolder (required)
-1 craft knife (required)
-1 ruler: 12, 18, or 24 inches, cork preferred (required)
-1 flat paint brush, foam brush, or glue brush for glue, 1.5 to 2 inches wide (required)
-scissors
-pencil or pen
-binder clips